Under the gentle glow of a hundred candles, Atelier Debbie Co unveiled its La Fleur Holiday Collection ‘25, in a dreamscape that seemed painted by Monet himself.
Presented by Security Bank, the evening unfolded inside Antonio’s PGA showroom, transformed into a hushed Impressionist garden. Billowing white chiffon and silk organza cascaded from the ceiling like morning mist over Giverny. Tables were dressed in layered whites and soft ivories, adorned with arrangements of white roses, ranunculus, lisianthus, and delicate baby’s breath, each centerpiece flickering with candlelight that danced across crystal and porcelain.
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Curated by Ana Amigo-Antonio, the space exuded quiet romance, light, and air—bringing to life the very world Debbie Co envisioned.
As Hendrick’s Gin cocktails and bright Aperol Spritzes flowed, keeping the holiday magic effervescent, guests savored afternoon delights by Antonio’s PGA, every plate as refined and poetic as the collection itself.
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The evening’s soft highlight was a mini-presentation of Debbie’s muses, real women whose spirit has long inspired the designer. They drifted through the dreamy space in the new pieces: flowing gowns in misty lilac, water-rose pink, and dawn-washed blue floated like petals on water. Painted florals, watercolor gradients, polka dots, and embroidered blossoms moved as though caught in a gentle breeze—each look a living brushstroke of Impressionism.
Guests departed with a touch of extra beauty: generous gifts from Clé de Peau Beauté, Neo Asia, Profhilo, Estée Lauder, and Eco Jardin were tucked into every hand, quiet thank-yous wrapped in the same spirit of luminosity and grace.
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Inspired by Monet’s soft brushstrokes and the poetic glow of his water lily gardens, La Fleur ‘25 embodies femininity in its most romantic, radiant form. Chiffon, silk organza, and weightless tulle drape like petals; subtle pleating ripples like light on a pond; every silhouette feels weightless yet deeply expressive. This is clothing meant to be felt as much as seen—an ode to beauty, emotion, and the eternal poetry of color.
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